To Veronica, Here's some research! Love, Kayla

(I put the citations in the best format I could. For some reason the URLs for some of the citations ended up weird, so I just placed them below so they could be accessible! Sorry!)

Becker, Becky. "Prosceniums and screens: audience embodiment into the digital age." Theatre                     Symposium 20 (2012): 30+. Literature Resource Center. Web. 22 Feb. 2016.                       

http://go.galegroup.com.erl.lib.byu.edu/ps/i.doid=GALE%7CA306094802&v=2.1&u=byuprovo&itr&p=LitRC&sw=w&asid=4e7baaaf03635aca9af778ee2a6aa97a

This essay illustrates the way the United States transitioned from theater and stage productions to television and movies. It talks about the accessibility of film to the average American. It would be interesting to consider why it is that movies and television are more popular venues to access these arts.

Cardullo, Bert. Stage and Screen: Adaptation Theory from 1916 to 2000. New York: Continuum,                  2012. Print.   (this one is one BYU as an eBook)

This source will be an amazing resource for comparing stage and film adaptations. It has many articles and essays from experts that all talk about the different pros and cons of theater and film.

Kuhn, Annette, and Guy Westwell. A Dictionary of Film Studies. : Oxford University Press,                         2012. Oxford Reference. 2012. Date Accessed 22 Feb. 2016                            

http://www.oxfordreference.com.erl.lib.byu.edu/view/10.1093/acref/9780199587261.001.0001/acref-9780199587261>.

This source seemed extremely helpful for the background and terminology of Veronica’s paper. It outlines the definitions and studies of film by experts in the field. It goes through film genre and technical terms.

Mayer, David. "film and theatre." The Oxford Encyclopedia of Theatre and Performance. : Oxford               University Press, 2003. Oxford Reference.

     http://www.oxfordreference.com.erl.lib.byu.edu/view/10.1093/acref/9780198601746.001.0001/acref-9780198601746-e-1334>.     

This is a great resource for researching how film and theater work together to enhance certain pieces. It also talks about the ways the two mediums interact. The source is an encyclopedia type and is very informative. 

Stenport, Anna Westerstahl, and Garrett Traylor. "The eradication of memory: film adaptations and                algorithms of the digital." Cinema Journal 55.1 (2015): 74+. Literature Resource                                  Center. Web. 22 Feb. 2016. 

http://go.galegroup.com/ps/i.doid=GALE%7CA433010560&v=2.1&u=byuprovo&it=r&p=LitRC&sw=w&asid=d9388f734a7a2ab01187f84ede4714f2

This article will be an interesting addition to her essay because it talks about the ways that film adaptations can take away from the original piece. The article uses the Girl with the Dragon Tattoo as an example. It could give base to an argument against (or somehow, for) film adaptations.