1.
Genre
This is a 36-line poem broken into nine stanzas with an ABAB rhyme
scheme. This is an abstract poem, since it describes love, which can't be seen. However, Donne uses various rhetorical tools and concrete images, like "stiff twin compasses" or "gold beat to airy thinness" to help readers understand the depth of his feeling.
2.
Narrator
The narrator of this poem can be assumed as
Donne. He wrote it to his wife, Anne, before
leaving on a long trip as a way to comfort her.
Donne is very tender in these lines, as opposed to his saucier poems
like The Flea; especially when he
refers to their separation as “not yet a breach, but an expansion.”
3.
Plot
Donne’s poem, like most poems at this time
period, doesn’t contain much of a plot.
His focus is more on describing a situation or state of emotion. There is no beginning, middle, or end, nor is
there a storyline. However, the purpose
of the poem (consoling his beloved: "...no tear-floods, nor sigh-tempests) is easily conveyed despite the lack of
action.
4.
Character
5.
Setting
This poem has no time or setting that we can
ascertain from the text. Donne does not
give any hint to where the characters might be located nor when the event could
be occurring. However, if Donne we
assume Donne as the speaker, the poem probably took place in Britain during his
lifetime.
6.
Language
John Donne is a master of figurative language,
and Valediction: Forbidding Mourning
is an excellent example of his work. He
uses vivid metaphors and analogies that bring an abstract concept, like missing
someone, love, or separation, to the mind with ease. He describes the “expansion” that will
shortly remove him from his beloved as “gold to airy thinness beat.”
7.
Tone and Style
Donne’s tone is romantic, comforting, and
reassuring here. Again, he tells his beloved that mourning their separation would be a "profanation of our joys to tell the laity our love." He talks about
preserving the sacred and dignified nature of the love that he and his beloved
feel for one another by keeping it free from tears and mourning. He promises her that their love can stretch
beyond separation through his analogies the metaphysical conceit.
8.
Rhetoric
Rhetoric is meant to persuade, and Donne is
certainly doing his best to be persuasive here. One of the rhetorical tools already
discussed here is metaphysical conceit.
By linking their souls to “twin compasses,” Donne creates an association
in the mind of his beloved so that each time she sees a compass, she will think
of their relationship and the purity and power of their love. This is a masterful tool, and assures that
his message will remain in her mind long after he has departed.
9.
Visual Design
The grouping of the lines in this poem is not
particularly special in its design. The
four lines each incorporate an idea, so the spaces between the stanzas serve as
a separation that’s easy to follow.
10.
Textual Awareness
Like I mentioned before, this poem has similarities
and differences to Donne’s other poem, The
Flea. Both poems use metaphysical
conceit, and both are of a persuasive nature.
However, Valediction is a much
more somber, tender, and serious poem, whereas The Flea is lighthearted with subtle hints at the author’s true
intentions.
All in all, the process wasn't that bad.
I completely understand your comment at the very beginning about not knowing what quotes would go with certain things. Sometimes, though, it's the thing that FORCES me to figure out what each line is saying. Like, if I understand that this element is is incorporated into the text, I must know HOW and WHERE it is. So yes. It's a struggle, albeit a helpful one. I think you did a better job than you think, though. :)
ReplyDeleteI really like your introduction, I completely felt like I was just going for it.. giving this a shot haha.. definitely not what I'm used to.
ReplyDeleteI like your connection and comparison of this poem and "The Flea". I hadn't taken the time to look at them side by side, but it's true that they complement each other well because of the tone and purpose of each work.
ReplyDeleteI like what you said about how the language he uses brings ease to the mind even on the subject of separation.
ReplyDelete"Metaphysical conceit", huh? I've never heard of that before. And I also didn't make the connection between compasses and feet, though now it seems obvious.
ReplyDelete